DIFC Art Nights runs from Thursday 12 to Sunday 15 November 2026, from 5 to 10 pm in Gate Village. Choose Thursday if you want the digital artworks listed for The Gate on opening night. Choose Thursday or Saturday for Arabic calligraphy or abstract tote art. Choose Friday or Sunday for printmaking. If you mainly want to browse, start with an exhibition in Gate Village and check its own hours before treating 10 pm as the time you can still get in. DIFC event hours, ISEA works at The Gate
The workshops are complimentary. DIFC describes a mix of drop-in activities and scheduled sessions, so the programme gives you a time to aim for without guaranteeing a place at the table. Choose your first stop and build the rest of the evening around it.
Official DIFC Art Nights programme
| Evening | Workshop options | Who it suits |
|---|---|---|
| Thursday 12 November | Tote art 5–10 pm, calligraphy 6–8 pm | Calligraphy at 6 pm or ISEA works listed at The Gate |
| Friday 13 November | Printmaking 5–10 pm | A flexible start and one hands-on stop |
| Saturday 14 November | Tote art 5–10 pm, calligraphy 6–8 pm | A weekend plan built around the longer session |
| Sunday 15 November | Printmaking 5–10 pm | A final-evening visit with time to see art before or after making a print |
Thursday or Saturday for the tote workshop and Arabic calligraphy
The JamJar’s In Between Lines uses an everyday tote as the surface for an abstract composition. The workshop takes inspiration from Mondrian and Calder. Try approaching it as a choice about balance. A few blocks of colour can make a clear structure, while an angled or curved line can make the same surface feel much less settled. If you’d rather leave with something you’ll use, this is the workshop to choose. DIFC gives it 30–60 minutes within the 5–10 pm window. It lists Katie and Zainab from The JamJar on Thursday and Rachelle and Zainab on Saturday. DIFC workshop timetable
Velvet Calligraphy, led by Fatima Hossein Bor, has a different shape. It is scheduled from 6 to 8 pm on both days. The programme describes moving from Arabic letters to a work of art. If you want time to work through the details of a letterform with an instructor, this is the stronger reason to choose one of these dates. Arrive before 6 pm and ask how the session admits participants. The organiser publishes the two-hour block, with no confirmed last intake or capacity in the details checked.
If you want to do both activities, make the 6 pm calligraphy start the fixed point. Starting a 60-minute tote at 5:15 pm could run into it. Arrive at the calligraphy area early, then ask about the tote after 8 pm if there is still space and enough time. Saturday is the better bet if your Thursday commute would put you there midway through the session. If you also want the Thursday digital programme, check the artwork and panel timings before counting on fitting everything into one evening. DIFC’s scheduled and drop-in activities
Friday or Sunday for printmaking without a fixed two-hour commitment
The JamJar’s Oddly Ordered workshop works with shape, pattern and texture. It is listed from 5 to 10 pm on Friday and Sunday, with an activity time of 30–60 minutes. Printmaking gives you a chance to see what happens when a mark repeats. For a first attempt, pick one simple shape and change the spacing or direction as you repeat it. It’s a way to see how much of the pattern comes from the mark and how much comes from what you do between marks. If that sounds more appealing than painting a single object, pick one of these two nights.
DIFC lists Katie and Rachelle on Friday and Rachelle and Teng on Sunday. The format and activity length are the same. A 7:30 pm start would put a 30–60 minute printmaking activity at roughly 8–8:30 pm, leaving time to browse if you get in straight away. A 9:30 pm start leaves only half an hour before festival closing. Neither time is a reserved slot. If a print is what you’re coming for, ask about last intake first. If the exhibition is your priority, see it before joining a workshop queue. DIFC’s printmaking dates and times
What to see between workshops
The Dubai International Art Centre presentation is advertised as an eight-by-eight-metre exhibition. Make it your first stop if you have time to look closely at a smaller area before the workshop. Art Connects Women brings together work from 120 women artists. With a display on that scale, pick a few pieces to compare, then return to the one that caught your eye instead of trying to see everything in one pass. DIFC’s exhibition programme
DIFC also lists work by Romero Britto through The Coolrator. If you’re doing abstract tote art later, notice how the works you see use colour to divide a surface, or where a line sets off one area from another. You can try a similar decision with the materials at your workshop. If you’d rather make a print, look for a shape that changes character when it repeats. That gives you something to do with the time between the exhibition and the workshop besides checking the clock. DIFC’s programme and participating presentations
Make Thursday your first choice for digital art
DIFC calls the wider programme Future Forms and says the International Symposium on Electronic and Emerging Art, or ISEA, is contributing digital works and a panel linked to mapping and projection on The Gate. ISEA’s own venue list places its DIFC presentation at The Gate on Thursday 12 November. It names seven works there, including Shohei Fujimoto’s “dynamic light statics”, Ferdi Alıcı’s “Human Cell Atlas” and Sabrina Guechetouli’s “Home of Nomad”. If any of those is your reason for going, start with Thursday. ISEA gives the date and location but no viewing hour for The Gate in the listings checked. ISEA’s artworks by venue, DIFC Future Forms programme
ISEA describes its Live Artistic Programme as free with registration. Check that registration and the latest time before organising your evening around the digital works. DIFC’s own hands-on workshops are complimentary under its festival programme. The two pages serve different purposes, so a registration for the digital programme does not establish a workshop place. If your group splits between The Gate and Gate Village, agree on the next stop before separating. ISEA registration and access details, DIFC workshop details
DIFC also bills cellist Elham Al Marzooqi and other live performances. The public programme still leaves the detailed panel and performance times open. If you’re going for a specific performer, wait for their date and time before booking dinner or telling friends which night to come. DIFC’s live programme
Plan the visit around the time you actually have
An hour after work. Go straight to Gate Village and pick one exhibition. If you want to make something instead, ask about space in the tote or printmaking workshop when you arrive. The activity itself can take most of your hour.
A full evening. Make the 6 pm calligraphy session your anchor on Thursday or Saturday. If you arrive early, see one exhibition before it. Afterwards, check which displays are still open and leave time for the walk back through the district.
A later start. Treat 10 pm as the end of the published event window. The programme does not publish a last workshop intake, and individual galleries can have separate hours. If you’re arriving near the end of the evening, check directly before setting off for a specific gallery or hands-on session.
Use Gate Village, DIFC as the destination when meeting friends or ordering a car. If you have a particular gallery in mind, share its name as well. Gate Village has multiple buildings and open-air spaces, and agreeing on a named first stop makes it easier to meet. If the group wants to do different things, fix a time and place to regroup before anyone joins a workshop.
Gate Village visitor information · Published dates and event hours
Allow time for the walk from your arrival point
Take the Red Line to Emirates Towers for either starting point. DIFC estimates a seven-minute walk to Gate Village along the pedestrian walkways. ISEA directs its visitors towards the Gate Building from the same station. Save the name of your first stop in Gate Village as well, especially if you have a 6 pm workshop and are meeting someone at the venue. A little time to find the workshop matters more on Thursday or Saturday, when the calligraphy session has a fixed start. DIFC’s Gate Village walking directions, ISEA directions to The Gate
If you’re driving, DIFC lists 24-hour visitor parking at Gate Village. Its published evening rate from 6 pm gives the first hour free and charges AED 20 per additional hour, counting part hours as full hours. An evening visit of two and a half hours would therefore cost AED 40 at that standard rate. Saturday and Sunday also use the AED 20 additional-hour tariff during the day. Thursday and Friday have a weekday daytime rate of AED 25 per additional hour until 6 pm, so check how your visit is charged if it crosses that boundary. DIFC describes Gate Village parking as ticketless, with charges processed through Salik. DIFC visitor parking rates



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